One of the most popular books in medieval Europe was a manual for learning how to die. Since its writing in 1415, it has been widely read, copied in manuscript around three hundred times, translated into almost all European languages and became one of the first books to be printed using movable type. Events such as the Black Death or the Little Ice Age and the constant widespread wars awakened the awareness of their own finitude in the people of medieval Europe, generating such fascinating phenomena as the dances of Death, the processions of flagellants, sacred chants against illness or the aforementioned manuals for a good death. In this program, Vermell ensemble investigates the reflection that such manifestations of medieval thought about death had on the European music of the time.